Secret #6 - Conquering Saboteurs

This week finds us at the halfway point in Gail McMeekin's, The 12 Secrets of Highly Creative Women in our book blogging group led by Jamie Ridler, Secret #6 - Conquering Saboteurs.

After reading the chapter and listening to this week's highly creative blogger interview I've found myself humming an old song I have always adored and was really, really surprised to realize how long that song has lived in and flitted through my brain when I went to find the lyrics to share here in blogland. I found it attributed to the album *Mamas Big Ones* released in 1973. WOW! 36 years! Longer than many in our group have been alive. Been recorded as well by The Carpenters and Barbra Streisand but originally came from Mama Cass Elliott:

Make Your Own Kind Of Music Mama Cass Elliot(Mann/Weil)

Nobody can tell ya

There's only one song worth singing

They may try and sell ya

Cause it hangs them up

To see someone like you

You gotta make your own kind of music

Sing your own special song

Make your own kind music

Even if nobody else sings along

It can't be nowhere

The loneliest kind of lonely

It may be

Just to do your thing is the hardest things to do

You gotta make your own kind of music

Sing your own special song

Make your own kind music

Even if nobody else sings along

And if you will not take my hand

Then I must be going, I'll understand

You gotta make your own kind of music

Sing your own special song

Make your own kind music

Even if nobody else sings along

You gotta make your own kind of music

Sing your own special song

Make your own kind music

Even if nobody else sings along

You gotta make your own kind of music

Sing your own special song

Make your own kind music

Even if nobody else sings along

No no no no

Even if nobody else sings along

If nobody else sings along

I always think of that song as a personal encouragement to individuality - guess my inner rebel has been around a LONG time. What's MORE individual than our creativity? Who says
with ANY authority it must be exercised, expressed and exhibited a certain way to be meaningful or have value? It's ours - mine is mine and yours is yours. We own it - lock, stock and barrel.

I guess that's why as a quilter I have always hesitated to take color theory classes, for instance. I'm fear that by submitting to or subscribing to some 'expert' formula or recipe I'll lose or bury MY instincts. And I guess that kind of brings me to the portion of this week's chapter that spoke most deeply to me...Valuing Your Natural Abilities.

McMeekin say: "Women have long had the self-destructive habit of discounting themselves and their natural abilities."

AND

"This is a common gremlin, assuming that what comes easily to us is not valuable or unique."

I was reminded at this point of the Max Lucado book "Cure for the Common Life - Living in Your Sweet Spot" that I read the year before last wherein his premise is we're pre-packed for our journey on Earth and what's in our bag is exactly what's designed to equip us for this trip. For satisfaction and success we don't have to seek and find so much as just unpack our natural talents and abilities. Those teachers and guides like Barbara Sher spoke of being the holiest of God's creatures in this week's chapter - the good ones - help us discover and recognize what's in our bag, I think. The others are like bad airlines that lose our luggage.

That gremlin who makes us doubt that our natural flow is worthwhile and tells us we don't deserve any victory or success because we're not working hard enough or struggling enough or sacrificing enough is one of mine.

My other saboteur right now is my body, honestly, and that leads me to it's counterpart, time. Because nearly everything I do the past year hurts due to onset of RA I fear I've run out of time to accomplish much. Because of that I found much treasure in Creative Blogger, Andrea's interview this week - just show up, take action anyway when the gremlins daunt you, don't wait for a "perfect" moment to do it all - use the small bits of time here and there and focus on your original purpose.

Secret #5 - Committing to Self-Focus

I skipped blogging on Secret 4, it seems. By the time I had time to, Secret 5 was posted with this week’s interview and many in the 12 Secrets of Highly Creative Women group had already begun to shower responses upon the 12 Secrets page. So I guess I’ll just chalk up Secret #4 to ‘present – just observing’ in my attendance log, except to say that in my own creative cycle I think I must be pregnant with twin elephants and I’m ‘expecting’ something very BIG when it finally comes time for labor and delivery.

So, it’s onward through that Second Gateway – Mastering Your Challenges As A Creative Woman (according to the structure of McMeekin’s book) and Secret #5, Committing to Self-Focus. Whew! That’s a biggie, isn’t it?

Skipping around through what some have already posted in their blogs I see we have some varying views on this one. I was a trifle offended at the beginning of the chapter by the ‘famous novelist’ whose comment was included to say she didn’t believe in contributing to anything gender separatist. Lol Well, good for her if the utopia she sees exists in her realm but in my real world experience there are differences in how all women’s-vs-men’s work – both standard for paycheck and creative - is viewed and fostered and even among women between those who are single, married/attached and those with and without children.

“Hip, hip, hurray!” I say for those who don’t find focus a ‘challenge’, who get encouragement and respect from significant others in their lives and don’t feel compelled to squeeze their creative pursuits into itty bitty cracks and niches of time and energy to ‘indulge’ them, who don’t have to deal with guilt or apologize for inadequacies elsewhere when their creative work is given priority.

For years in my marriage I felt resentful preparing for ‘art and craft’ shows I’d juried into – struggling to produce quality product to be noticed amongst the competition for the consumer dollar. My husband and children refused to cooperate/recognize/acknowledge what I was doing was even ‘work’ since it stemmed from something they knew I enjoyed. My ‘studio’ was a 7X9 bedroom I used to call ‘The Cell’ because it was barely bigger than a jail cell, in fact I KNOW there are bigger cells in some jails! The fact I was EVER able to produce anything lovely out of there amazed me because since it was MY space every stray object no one else in the house knew what to do with at anytime or anything broken or needing my attention in anyone else’s opinion either got dumped on my floor so I had to crawl over it to get to my sewing machine/work table or on my work surface to be sure to be noticed by me. Grrrrrrrrrrrrrrr!

I remember once having been invited to exhibit a quilt at a prestigious show (other quilters in that show then now have books/patterns and large $ prize winning quilts to their credit) and working feverishly up against a deadline to complete hand quilting it, doubting I’d be able to get ANY sleep at all the week preceding the deadline. I’d already arranged with the show curator to drop it off directly to her home, knowing I couldn’t possibly make the day/time for the general check in. Two days before my absolute down to the wire deadline, with about 4 days worth of work yet to go, two of my three school-age children come home with that dreaded school nurse note saying they have head lice and giving the full drill of what must be done before they can come back to school. Ummmmmm…let’s see – do you think their father, who couldn’t possibly finish quilting my quilt would step up and take care of the children’s hair/scalp? Or even run to the drug store for the needed shampoo treatment? I think that was a Tuesday, the quilt was due to the curator on Thursday evening. So I kept the kids home, quilted like a mad woman, went out to deliver it sleeved in a fresh pillow case – the very last one received for hanging and came home, kids sound asleep in their beds. The next day I get a home visit from the school nurse wondering why my kids weren’t de-liced yet and back in school. AAAAAAAARGH! You should have seen HER face when the children ‘round my knees at the door tell her I was quilting and their heads would have to wait until the weekend. You can, I’m sure, imagine the humiliating lecture that followed from the school nurse and I was totally without words to counter.

At the same time though, back in those days I used to jokingly say that creative pursuits were what kept me sane and prevented domestic violence and child abuse. The thrill of seeing the work of my hands produce something from nothing – a unique thing of beauty from rags/flat cloth and string – was/is like nothing else on a scale of pleasure and delight. Like any other pleasure addict nothing could persuade me to give up my drug of choice.

It’s the same when I’ve produced something well written also. I’ll often go back and reread with delight something as mundane as a reference letter written for one of my daughter’s friends in application for consideration for scholarship awards or the strong resume I beefed up for a friend of mine. Recently I unearthed a term paper for a long ago class at a Bible College and was tickled pink to reread those sentences/paragraphs marked with the instructor’s comments noting what a pleasure my paper had been for her to read. Never mind I never finished that curriculum or earned the certificate of graduation. I have proof, in writing, I’m capable of producing a number of pages of text someone else finds pleasurable to read!

And when I’m thrilled and delighted, it’s enough to keep at it. It feeds my soul for the work of my hands to produce beauty and pleasure. I don’t think I’ll ever truly have my fill and as long as I hunger and thirst for that ‘food’, somehow I’ll find a way to focus on attaining it. Thankfully, I don’t still have to fight to pursue it, but I would.